Choreographer Bio for Instagram



People love movement and dance so much that they even follow choreographers on Instagram! It’s a strange practice, but it prompts the question – why? What is so special about choreography? How can dancers gain that same admiration and influence as their choreographer counterparts?



Choreography is special because it facilitates the “commoning” of movement. Rather than individuals making their own dances, choreographers select and sequence movements that dancers weave into a unified experience for both performers and audience.  One other thing that will make you interesting as a choreographer is your bio on Instagram.



If you are in search of the best choreographer bio for Instagram, then you are welcome here. I have got the best ones here for you to use.



See also: Dance Captions for Instagram with Quotes



Instagram Bio for Choreographer

  • Fun and fierce. That’s the best way to describe me and my work. also: passionate, determined, and wicked weird.
  • I tend to have a focus on the details. I have always wanted to push myself as a dancer and choreographer.
  • She’s known as a genius, and her name is synonymous with movement perfection.
  • Malcolm London is a multi-talented artist and has created music, choreographed for personalities such as Snoop Dogg and Gwen Stefani, and written/directed his musical.
  • My favourite thing to wear is a smile. And my second favourite is a comfy pair of leggings, oversized hoodies, and big boots! I love self-expression through movement, creativity, and colour.
  • I create a movement for the stage and screen. I love to tell stories. I support female choreographers.
  • Layers of movement, energy and intrigue come together in an evening full of surprises to challenge our notions of what dance is and who can do it.”
  • I’m a performer. I’ve danced since I was coordinated enough to walk, and I don‘t believe any other two words are as “rhythmical.”
  • “…With a body of work that covers an array of disciplines ​from the tap, jazz and modern to flamenco, contemporary and tribal fusion.” –Hartford Courant.
  • “A dancer is like a sword; he must keep himself constantly razor-sharp.” (Anna Pavlova)
  • We all have a spirit that remains pure and playful. I aim to be a vessel and expression of that spirit.
  • The body becomes the point; The dance between laughter and sorrow; The idea of a possible world.
  • What the world wants is the ability of a man to sacrifice everything for its sake – and not only that – but this has to be his pleasure.
  • I believe that a choreographer has a sacred role in communicating a message of unity and peace through the medium of dance.
  • Working as a professional dancer has been a dream of mine since childhood. I have learned so much from the extraordinary people I have met and from the various opportunities presented to me as a performer.
  • I’m a dancer. I teach dance. I look great in leopard print, and I don’t care who knows it.
  • I break down the steps of each dance for my students, helping them to become confident dancers.
  • She was not a dancer, and she didn’t know what she wanted to do. She started taking classes and kept coming back to these folks at the studio who said, ‘We’ll be here, keep showing up.
  • When you’re dancing, there are no limits to what you can achieve. There is only the boundless world of possibility to be discovered through hard work and passion. That’s why dance is the greatest creative art form.
  • Her dances begin as scribbles and drawings, and each movement is both expressive and pure. The energy she invites from her dancers is magnetic, and the resulting pieces possess a kind of ferocious beauty that defies explanation.
  • I’m a ♀️ dancin’ machine. 🕺🏻
  • Each of these moves was deeply studied and rehearsed. The result is a unique new work that explores the depths of human emotion and the mysteries of life.
  • Every move I make has a purpose. Every step is intentional. Every sound heard is made intentionally.
  • The first step is always the hardest.
  • Master Choreographer and founder of the MOVEMENT THEATER COMPANY is a one-of-a-kind artist and performer. She has been choreographing and performing nationally and internationally for over 20 years.
  • It’s never too early to start dreaming big. Just ask @SherylMurphy, renowned choreographer seen this fall on the @NBCTheGoodPlace.
  • Creating dance is a collaborative process where professional dancers and professional companies can come together to collaborate. ​
  • For choreographer David Rousseve, what truly makes for a captivating performance is when the movement transcends traditional steps and truly captures emotion.
  • We dance for that moment when the audience is up on their feet, cheering and crying simultaneously. We dance to live in that feeling forever.
  • The artistic director of Dance Centre Canada believes that dance is all about the present moment. The goal is to ensure that it’s a moment that feels true. That’s why she teaches her students to become more imaginative, not less.
  • Inspired by the beating of my heart, I have learned to move. As I have learned to move, I have found ways to touch. And as I have touched, I have found ways to heal…
  • I choreograph for love, not fame. I create a movement that is honest to its core. I dance because it makes me happy. And my work is about the joy of performing.
  • Choreographer and teacher, nurturer and provoker. Her classes and performances reflect her philosophy: “movement should be liberating and courageous, yet rooted in technique and knowledge”.
  • I’m a creative director and choreographer working to create new pieces that engage the body and the mind.
  • The creator and choreographer of several celebrated modern dance pieces that have been performed all over the world –
  • Dance from the soul. Dance from the heart. Dance from your gut. Let the music move you. Let the dance flow through you.
  • My body is a dancer, and my soul is a poet. I want to be whoever I am when I’m dancing. – Martha Graham
  • Question everything, dance without limits, and never look back. That sums up my philosophy on life in an artistic way…
  • I am a creative director, choreographer, educator, natural light photographer, web designer.
  • Her choreography explores the boundless potential of the body, both informed by and parallel to her training in Modern Dance.
  • She pushes the boundaries of contemporary ballet, challenging her dancers to come out of their comfort zones and achieve things they never thought possible.
  • “We feel so good when we dance.” Staying true to your original intentions is all you need to keep feeling light on your feet. 💃
  • She is a professional dancer, choreographer and model. She loves to take up new challenges and explore herself as an artist.
  • I am a dancer who all my life has loved the idea of becoming a ballerina and who, after 15 years, is now more than happy with what I do for a living.
  • A dancer can never stop learning or growing, or dancing. It’s in our nature to keep moving. We live to keep growing.
  • It’s not just that she’s so talented; it’s that she makes it look so effortless—like breathing.
  • It is not enough to dance; it is necessary to live in the manner that pleases us.
  • I like to say that I do the things that I like, and I like to do the things I do.
  • “My interest and passion for dance began at a very young age. I love the art and challenge of making something original out of thin air.” —Zoe Karssen.
  • I started to dance in my room when I was 3 years old, creating dances in front of the mirror. The stories in my head would come to life when I started moving.
  • As a result of my mother raising us three girls on her own, I was raised with high expectations to accomplish extraordinary things that no one else had done before.
  • The most important thing is to be yourself. You already are.
  • I’ve had the good fortune of working with and training some of the world’s greatest dancers and choreographers. Every day I am humbled by their talent and dedication. I feel so blessed to be working alongside such great people.☀
  • I can teach anyone how to dance if they are willing to learn. I ensure that every one of my dancers understands the movement basics, allowing them to shine.
  • As Resident Choreographer of Dance Theatre of Harlem, Francine Washington creates dances that are daring yet accessible. She has an innate ability to relate her choreography to everyone in the audience.
  • My mission is to make modern dance accessible to everyone. For more content & dance tips, subscribe!
  • Finding your inner creativity is the key to unlocking the voice within you. Learn from NY dance professionals to express who you are through movement and art.
  • Kim Foster began performing at age three in her native Connecticut. At eight, she moved with her family to Washington, DC, where she studied ballet under world-renowned teacher Linda Hudson. While attending The Harker School in
  • Dance is the hidden language of the soul. – Martha Graham –
  • As a choreographer, I love translating stories into movements.
  • My mission is to inspire artistic exploration and creative self-expression in movement. My work is a visual medium, informed by emotion and the human condition, exploring how we move through space and discovering new insights about our environment, ourselves and others.
  • Have you ever had a dream so big it scared you to think about it? That’s when I like to dance.
  • Her work is filled with an intense emotional focus which is further heightened by the deliberate tension between theatrical spectacle and events that are emotional, sexual, comic, tough, tender, poetic, explosive, manic, egoless….
  • I don’t want to conquer the world, and I’m too busy dancing in it 💃
  • The choreographer reveals his ballet about the “passion, the commitment, and the luxury” necessary to experience true love.
  • I like to dance like nobody is watching and sing like I’m getting paid for it.
  • In a world of ballerinas, the principal dancer never stands out from the crowd. So she doesn’t try to. She’s not as tall as her co-stars or as long-limbed as her peers,
  • Emmy-nominated choreographer Ashley Roland Murphy creates physical narratives that explore the uniquely human experience through storytelling and in tandem with visual and musical mediums in dance, film and song.
  • I’m all about breaking the rules. That’s why I love to push dancers past their comfort zones to unlock new possibilities, both on and off stage.
  • #choreography is a written language just as much as it is a moving one. Throughout my practice, I’ve always been interested in exteriorizing abstract moments and ideas through movement.
  • My body is my tool. It’s like an instrument that I use to create movement.
  • I like to make things beautiful. And I like to make things well. My field is dance, but what I’m conversing to is how the body feels.
  • I’m a dancer and choreograph worldwide, and my work reflects my diverse background and culture.
  • It’s not just dancing. It’s what moves you.
  • Confess your love for dancing in the streets.
  • Most directors of dance companies do not start as dancers. It is rare to speak both languages– what you want as a dancer and what the audience wants.
  • As a son of immigrants and a choreographer, Justin Peck weaves a dance to tell modern stories while paying tribute to the past.
  • “I like to choreograph dances that tell stories so you can see the movement as a language.” – Crystal Pite.
  • Taking risks and dancing with uncertainty is part of my process. It forces me to see what’s possible.
  • Engage your core with moves that are isolating, twisting and strengthening.
  • Don’t be afraid to push past your comfort zone—in grooming, style, and life. Always Keep on Growing.
  • I am a choreographer that loves to create original contemporary dances inspired by the human ­experience.
  • I’m an artist, choreographer, and founder of Never.Shake.It dances collectively. I love the creative challenge of each new project, whether it is creating my work or working on larger company projects.
  • I’m a master of dances—a lover of moves, grooves and grooves. I’ve been dancing for more than half my life.
  • I like to move it, move it.
  • My goal as a choreographer is to get across the same emotion I feel when listening to music.
  • As a choreographer, I’m an artist of possibility—creating on the flesh of bodies, travelling with families, lost sailors who are homebound.
  • A striving choreographer dedicated to the art of dance.
  • I love to make people move. And I love music. And the colour red. Other passions include randomness, bad puns, and chocolate chip cookies.
  • How do you explain the life and work of a choreographer who’s as much a performance artist as a dancer, as many directors as she is a soloist?
  • She is a visionary who has developed her unique choreographic vocabulary with deep roots in dance history and consistently compelling concepts that reflect the human condition.
  • A dancer, coach and choreographer of mixed African-American & Latino descent, known for his African influenced jazz movement style.
  • I am a choreographer. I create a world where a story will play out before your eyes—a story of love, loss, beauty and pain.
  • For me, the role of choreographer has to do with creating an atmosphere for the dancers to communicate with each other.
  • I started dancing when I was two. I also perform a mean moonwalk.
  • There are so many ways to live your life, so few ways to dance it.
  • “My goal as a choreographer is to make pieces that connect with current trends and place emphasis on technique and visual appeal. I strive for high energy pieces that are engaging as well as thought-provoking.”
  • Choreography has the power to connect people, places and ideas. My work is driven by an interest in exploring new ways of sharing movement through workshops, performances, collaborations, and new works.
  • As a dancer, I’m used to physically and intellectually; I push others to learn about their bodies and minds and tighten all the connections between them. My adaptability, curiosity and persistence are necessary for this role.”
  • It doesn’t matter how flexible you are. It matters if you can connect to the music and be part of the story…


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